Gotan project la revancha del tango cover

A very hip cover of the theme from вЂњLast Tango in ParisвЂќ accompanies BeytelmannвЂ™s and FloresвЂ™ sweetly melancholy work with a sprightly, almost trip-hop beat вЂњEpocaвЂќ and вЂњSanta Maria (del Buen Ayre)вЂќ, featuring the torchy vocals of Cristina Villalonga, stick more closely to the rhythms and sounds of conventional tango вЂњLa del RusoвЂќ keeps it simple, highlighting Edi TomassiвЂ™s intricate percussion and Fabrizio FenogliettoвЂ™s reverberating double bass to deliver a song that gives a strong sense of tangoвЂ™s roots in Spanish folk music. GermaineвЂ™s Ludovic Navarre, ever the househead, has never quite achieved.Д®lsewhere, the Gotan guys mix things up nicely, varying tempos without ever straying too far from the jazzy, sexy vibe that is their stock in trade. Germaine ensemble, especially KruseвЂ™s incendiary violin, and the backing track has a propulsive, syncopated energy St. But if anything, the solos on вЂњTripticoвЂќ outshine the work of the St.

ItвЂ™s on вЂњTripticoвЂќ that Gotan Project sounds most like another Paris-based outfit known for using programmed beats as a platform for jazzy acoustic solos, St. Line KruseвЂ™s violin and Gustavo BeytelmannвЂ™s piano are in fine form throughout, especially on вЂњTripticoвЂќ, which as its title suggests is basically a showcase for each of the three soloists. Just listen to the haunting high notes that open his limber phrases on вЂњEl Capitalismo ForaneoвЂќ, or the way he slices through the dark, dubbed-out soundscape of вЂњChungaвЂ™s RevengeвЂќ (which is, of all things, a Frank Zappa cover featuring a gravelly Spanish вЂњrapвЂќ from MC Willy Crook).ДЄs good as Flores is, the other guest musicians on La Revancha match him note for sensual note. On every track of La Revancha, FloresвЂ™ playing is a marvel, never overly flashy, in keeping with GotanвЂ™s chillout vibe, but always oozing with quietly restrained passion. Flores plays the bandoneon, a complex and unwieldy breed of accordion whose sound, crisper and less wheezy than a standard accordion, is heard on most traditional tango numbers. MГјller and guitarist Eduardo Makaroff (howвЂ™s that for an international collection of names?), but the player who really defines the groupвЂ™s sound is probably Nini Flores. GotanвЂ™s official members are keyboardist/beat programmers Philippe Cohen Solal and Christoph H. Starting with the opening accordion-fueled strains of вЂњQueremos PazвЂќ, Gotan Project build a 10-song set of loose-limbed, jazzy melodies stitched together by rock-solid beats that seem to hover somewhere between traditional Argentinean tangos and modern breakbeats, with maybe just a splash of bebop-era jazz thrown in to keep the vibe cool, man, cool. Though nothing on La Revancha del Tango quite equals the many splendors of вЂњTripticoвЂќ, itвЂ™s still pretty much all outstanding. Well, at least thatвЂ™s how it makes my squalid little urban apartment feel. The Gotan guys blend the sexy syncopations of tango with the dark, echoing textures of dub and the beats of house and nu jazz to create a sound that is at once timeless and extremely modern, familiar and completely original, and basically just so darn all-around hip that itвЂ™ll infuse your squalid little urban apartment with all the allure of a smoke-filled Parisian jazz club. Now comes Gotan ProjectвЂ™s long-overdue (at least in the US itвЂ™s been available everywhere else for over a year) full-length debut, and happily, it picks up right where the monster hit вЂњTripticoвЂќ left off. Their sound is so definitive itвЂ™s almost beyond imitation. While this doesnвЂ™t sound like a particularly radical concept, the fact is that no one had ever done it before, and Gotan executed it so flawlessly, especially on the dazzling вЂњTripticoвЂќ, that no one else may ever be able to follow in their footsteps. When they first appeared in 2000 with the singles вЂњEl Capitalismo ForaneoвЂќ and вЂњTripticoвЂќ, the Paris-based Gotan Project stood out from the crowded field of nu jazz producers mixing house, jazz and Latin sounds for one simple reason: Their music was based on the rhythms and instrumentation of tango. Originality is a scarce commodity in the music world these days, so the very existence of a group like Gotan Project is cause for celebrating.

Gotan project la revancha del tango cover